The Art of Time, Reimagined
OMORA LUSSO is an Istanbul-based atelier creating kinetic time artworks where mechanical motion, craftsmanship, and meaning come together.
Founded by mechanical engineer and designer Ömer Fatih Sevinçtekin, the studio was born from a simple yet powerful idea: time should not only be measured — it should be experienced.
Each OMORA LUSSO creation transforms the familiar language of clocks into a sculptural object. Visible mechanics, layered compositions, refined materials, and carefully choreographed movement come together to create works that exist between art, design, and engineering.
These are not conventional clocks.
They are collectible time objects designed for spaces where silence, presence, and detail matter.
From Engineering to Kinetic Art
OMORA LUSSO began with a fascination for movement.
Before becoming an atelier of kinetic time artworks, the studio’s foundation was built on mechanical thinking: proportion, balance, rhythm, precision, and structure. What started as an exploration of moving mechanisms gradually evolved into a more refined question:
Can time become a visual experience?
This question became the beginning of OMORA LUSSO.
Instead of hiding the mechanism, OMORA LUSSO places motion at the center of the work. Gears, pendulums, layered forms, and mechanical gestures are not treated as technical necessities, but as part of the artwork’s identity.
The result is a new expression of time,one that is not only read, but observed.
A Dialogue Between Time and Culture
Created in Istanbul, OMORA LUSSO carries a deep relationship with the cultural memory of time.
Among the inspirations behind the studio is the legacy of the muvakkithane the historic Ottoman timekeeping rooms once associated with mosques and civic life, where time was observed, calculated, and ordered in relation to astronomy, ritual, and the rhythm of daily life.
For OMORA LUSSO, the muvakkithane is more than a historical reference. It represents a way of thinking about time: not as a simple measurement, but as knowledge, rhythm, structure, and presence.
Istanbul has always existed between worlds: East and West, tradition and modernity, silence and motion. This atmosphere shapes the studio’s design language.
Some works draw inspiration from historical ideas of timekeeping, astronomy, geometry, and ornament. Others explore rhythm, repetition, and mechanical motion through a contemporary lens.
Rather than reproducing the past, OMORA LUSSO reinterprets it.
The aim is not nostalgia.
The aim is presence.
Crafted in Limited Numbers
Every OMORA LUSSO piece is produced in limited numbers with careful attention to proportion, material, finish, and motion.
Each work passes through stages of design, engineering, surface finishing, assembly, testing, and final inspection. The process combines digital precision with hand craftsmanship, allowing every piece to carry both technical discipline and human touch.
Materials, finishes, and details are selected not only for appearance, but for the atmosphere they create.
A polished reflection, a brushed metal surface, a moving pendulum, a silent mechanical rhythm each element is part of the experience.
Beyond the Clock
OMORA LUSSO does not create objects simply to tell the time.
The studio creates works that give time a physical presence.
A clock tells you what time it is.
An OMORA LUSSO artwork reminds you that time is moving.
This distinction defines the studio’s philosophy.
Time is not treated as a number on a dial, but as motion, memory, rhythm, and silence. Each piece invites the viewer to slow down, observe, and become aware of the passing moment.
The Atelier Today
Today, OMORA LUSSO continues to develop limited-edition kinetic artworks for refined interiors, private residences, hospitality projects, collectors, and design-led spaces.
Each creation is conceived as more than a functional object. It is a statement of craftsmanship, engineering, and atmosphere.
From Istanbul, OMORA LUSSO reimagines time as a collectible art form.
OMORA LUSSO
The Art of Time, Reimagined.
